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 Works from the

"Blue-white Bowl" series

 

 Works from

the "Ice Bowl" / series

done for a competition in Japan

 

 Works from the

"Erupted Triangular Bowl" series

 

 Works from

the "Bowl of Leafs"

and Bowl of Tears" series

 

 Works from

the "Dancing Bells"

series

 Works from

the "Dancing Bells"

and the "Ceramic Helix "

series

 

 Works from

the "Eyes of the Mind"

series

 

 Works from

the "Last White Tear"

series

 

 Works from

the "Blue Dream Tear"

series

 

 Works from

the "Tears of Joy"

series

 

 Works from

the "Tears of Joy"

and "Coloured Tear"

series

 

 

 Works from

the "Surface-based Tear with buttons"

series

 

 

 Works from

the "First porcelain Tray"

series

 

 

 Works from

the "Form Studies for a Porcelain Tray"

series

(2013)

 

 

 Works from

the "The White Porcelain Flower "

series

 

 

 Works from

the "The Accessorised Tray "

series

 

 

 Works from

the " Porcelain Buttons 1 "

series

 

 

 Works from

the "Button-based Helix

Ceramic Installation"

(stages 1)

series

 

 

 Works from

the "Button-based Helix

and  Serial&Orthogonal

Ceramic Installation"

(stages 1)

series

 

 

 Works from

the "Button-based Helix

and  Serial&Orthogonal

Ceramic Installation"

(stages 2)

series

 

 

 Works from

the "Searching for

A Visual Vortex

for a Ceramic Tray "

series

 

 

 Works from

the "Primordial Egg"

series

 

 Works from

the "Yellow Primordial Egg"

series

 

 Works from

the "Light Blue Primordial Egg"

series

 

 Works from

the "Light Red Primordial Egg"

series

 

 Works from

the "Terrestrial Primordial Egg"

series

 

 Works from

the "Primordial Egg"

 (chromatic variations)

series

 

 Works from

the "Primordial Egg"

 (chromatic variations)

series

 

 Works from

the "The Thorus"

 (chromatic variations)

series

 

 Works from

the "Cubic ceramic candle"

 (Spongy)

series

 

 Prototype of the

 "Tear of Joy"

leather armchair

(all parts were manually crafted

by the designer)

 

 Prototype of the

 "Seed of Dreams"

leather and natural silk-based textile coach/sofa

(all parts were manually crafted

by the designer)

 

Main Themes & Times -- chronologically viewed series of works + Few Interpretation Notes regarding her works

 

Works in the field of Furniture Design. Manually crafted prototypes with decorative ceramic modules

 

The second level of the uniqueness of her works comes from the original attitude towards the physical material that serves her to make the ideas coming to life that, in her case, is the porcelain. The Chromatic harmonies, with their organic repeating patterns, gradually coloured structures developed in space, the smoothness of her "porous", spongy  texture which she discovered for some time now, the sinuous forms which she proposes, are augmented by a discovery she made regarding a method of in depth colouring of ceramic volume made of porcelain, in order to avoid its easy and superficial painting, after burning.
 

One last distinction which is required to be made, concerning the artefacts of Mrs. Viorica Bocioc, regards the fact that she uses tipical craftsmanship techniques to realize and finnish her ceramic sculptures, which are not designed for serialization, as long these shapes are the result of some unique and irrepeatable creative emotions and exeperiences.

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Few Interpretation Notes
of Viorica Bocioc's
Ceramic Art

 

In order to give an optimal interpretation of the shapes and forms imagined by the Romanian artist Viorica Bocioc, one must do a quick review of all the features which gave them originality and, why not, aesthetic value, many times recognized nationally and internationally.

 

From this perspective, the first attribute of her work relates to themes and subjects of artist’s favourite cycles - the Eye, a symbol of the bi-directional knowledge, the Tears of Joy as analogical manifestations of previously mentioned organ, used as another metaphor of a bitter meditation on the creation and existence in general, the phenomenon of Flow and the Interruption of this dynamic process through her “turned into stone” spatial shapes, The Primordial Egg and the Mind perceived as a repository of all tactile and visual sensations caused by the interaction with the ceramic form, with the sculptural object.

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