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Latest news about me and my professional life

(new series of works released, exhibitions, competitions...)

 

 (2014-September 13th-November 23rd) 

Participation at the European Ceramic Context 2014 / Bornholm-Denmark

("The Islands of the White Atholl"-Ceramic Installation)

Viorica's Bocioc ceramic installation displayed at ECC 2014
which took place in Bornholm-Denmark, 
at the Bornholm Art Museum,
during September 13th and November 23rd,
ceramic sculptures,  porcelain fired at 1.280 degrees, mass coloured, 82 x 250 x 7,5 cm (height).

Browse the pages of the *.pdf brochure of the installation displayed at the ECC 2014 Exhibition

by Viorica Bocioc / 8,87 MB

A short description of the work. Analogies and meanings 

 

 

Although my work uses a formal and abstract visual discourse — referring the basic flat visual vocabulary: point, line, regular or distorted surface etc. — , a contemplative analogy with an atoll of islands and the petrified waters surrounding it, gives a certain poetry to the ceramic form as a whole, as a unique imagined reality. 

 

Conveying the impression of lightness and transparency of a volume by its solid, ruptured and opaque texture was another fundamental aim of this aesthetic experiment. This was the creative source for the raindrops effect present in most of my works.

 

The main idea behind this work was to catch and, finally,  to „freeze”, into a three-dimensional „image”, the short and passing moment when a series of tiny, solid ring tori are immersed  into a mass of flowing porcelain which gets petrified gradually. It is a 3D pleading for Archimedes principle of immersion and for the natural beauty of the matter’s state and its physical behaviour – liquid and solid --, and their metamorphosis through time. 

 

 

Porcelain fired at 1.280 degrees 

82 x 250 x 7,5 cm 

 

Viorica's Bocioc ceramic installation displayed at ECC 2014 in Bornholm-Denmark
(work's overview)
mass coloured, 82 x 250 x 7,5 cm

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The Immersed Atoll, 960 x 960 x 90 mm, porcelain fired at 1.280 degrees, ceramic sculpture, 2014

Detail of one of the giant <<atholls>>, prepared to be displayed at ECC 2014 in Bornholm-Denmark but, unfortunatelly, broken, during the firing process, 2014.

Ideas behind this work...

 

The main idea behind this work was to catch and, finally,  to „freeze”, into a three-dimensional „image”, the short and passing moment when a series of tiny, solid ring tori are immersed  into a mass of flowing porcelain which gets petrified gradually. It is a 3D pleading for Archimedes principle of immersion and for the natural beauty of the matter’s state and its physical behaviour – liquid and solid --, and their metamorphosis through time.

 

Although it is an abstract discourse – using the basic flat visual vocabulary: point, line, flat or distorted surface etc. --, a contemplative analogy with an atoll of islands and the petrified waters surrounding it, give a certain poetry to the ceramic form as a whole, as a unique imagined reality. Convey the impression of lightness and transparency of a volume by its solid, ruptured and opaque texture was another fundamental aim of this aesthetic experiment. This was the creative source for the raindrops effect present in most of my works.

 

The main ceramic, textured volume is ennobled with these made in advance thin and fragile ring tori and the confrontation between the proportions of the two areas gives a dramatic effect. The scale of the work changes into an reduced scale model of an Imago Mundi. All the volumes, welded in the final composition, are obtained separately. The weight of the immersed objects interact with the properties of the liquid mass and become the form principle during the time of this „encounter”. The originality of the resulting objects can be, somehow, justified by these two main visual features: mass immersion and the raindrops effect.
 

Earthly Raindrops

Earthly Raindrops (top and lateral view)

270 x 270 x 43mm

ceramic sculpture

 porcelain fired at 1.280 degrees

2014

Earthly Raindrops

 

The initial idea came after studying the effects of movement and gravity on the raindrops volume.
 

They seem alike but, in fact, they are not -- and can never  be, identical. The geometrical visual language helped me to convey the concept of „earthly order” in contrast with the „heavenly” raindrops falling  „dissorder”, while observing the formal consequences of all serial processes as, both, rain and aesthetic composition, actually, are. In the end, my work became a pleading for uniqness and form seriality/visual similarity .

 

My main focus was to experiment by applying the laws of flowing and to test how its stages can be „recorded” into ceramic bodies.The raindrop surface effect was created with a manual and original technique.

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